Gabrielle Myers Writer, Chef, and Teacher
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  • Points in the Network, a New Poetry Collection!
  • "Always on the Edge of the Thing He Belongs To," in American Poetry Review
  • Gabrielle on The Poets Weave, Indiana Public Media
  • Break Self: Feed, a New Poetry Collection, 2024
  • Review of Break Self: Feed, in Edible East Bay, Winter 2024-25
  • Too Many Seeds, A Poetry Collection
  • Hive-Mind, a memoir
  • "A Sensory Journey," Learn About My Farm-to-Fork and Writing Journey
  • Farm to Fork Column Articles in Inside Sacramento
  • Gabrielle's International Farm-to-Fork Column
  • "Messejana Message #5" & "Sr. Laurindo Bakery: Tradition and Harvest Homage to the Alentejo Plains," in Al Dente, from the University of Alabama
  • On Break Self: Feed, by Rusty Morrison of Omnidawn Publishing
  • "Distilling the Delta," an article in Edible East Bay
  • Interview and Reading on You're the Poet Podcast
  • POETS AND POEMS: "Gabrielle Myers and 'Break Self: Feed,' a Review by Glynn Young of Tweetspeak Poetry
  • Gabrielle on The Poet's Weave, Indiana University, Bloomington
  • An Interview on Break Self: Feed for Dr. Andy's Poetry and Technology Hour!
  • An Interview on Break Self: Feed for the Loretta Brown Show
  • "Underneath Coconut Palms and Mango Trees," in Cathexis Northwest Poetry Review, Jan/Feb 2025
  • Video of Los Amantes Saltan, from Break Self: Feed
  • Video of "Vessels" from Break Self: Feed
  • "You Can’t Fly into a Mouth Filled with Past Fears of Burning," from the poetry collection Break Self: Feed
  • "Food for Thought," a Q & A on Too Many Seeds
  • Messejana Message #18, published in MacQueen's Quinterly, Winter 2024
  • Two Poems in Edible East Bay, Spring 2022
  • Interview on Break Self: Feed, on Robert Sharpe's Bringing Inspiration To Earth Show
  • "Live as the Tomatillo Reaches for Life on a Hot July Day," in Edible East Bay, Fall 2022
  • Photographs for Sale
  • Video Poem "Lidded," from Too Many Seeds
  • A Review of Too Many Seeds!
  • Interview on Too Many Seeds on The Spark with Stephanie James
  • A Review of Too Many Seeds, Tweetspeak Poetry
  • Conversation on the Farm to Table Movement with Patti Conklin
  • "Dried Bits," in Borderlands, Texas Poetry Review
  • "Vessels" and "Lost Amantes Saltan" in pacificREVIEW, Spring 2020
  • Video Poem: On Ayako's Pa Amb Tomaquet
  • Video Poem: Quality Control
  • A Review of Hive-Mind and a Recipe
  • Interview on Dr. Andy's Poetry and Technology Hour!
  • An Interview on Too Many Seeds, Author2Author
  • An Interview on Too Many Seeds, BITEradiome
  • Video Poem: Sonnet #69
  • A Video Reading from Hive-Mind
  • Video: On Poetry and Cooking
  • An Interview on Shirleymaclaine.com
  • Selection from Hive-Mind
  • Selection from Hive-Mind
  • "Early Fall's Failed Elegy," in Catamaran, Summer 2018
  • After Grass Against Sea, by Edward Weston, in Catamaran Fall 2020
  • "For Girls Who Walk Alone to the Bus Stop," in Connecticut River Review, Fall 2018
  • "Lover" & "We're There and Here," in Koan, Paragon Press, Summer 2018
  • "Fall," in The Adirondack Review
  • "The First Rain of Fall," in Fourteen Hills, 2010
  • The Art of Tomato Breeding
  • An Interview with Wendy from WINA in Charlottesville
  • Paul Canales: Building Community
  • Interview on Intuitive Ink Radio Show
  • Eat with Health in Mind
  • On Radio MD
  • An Interview with Allison Dunne from 51%
  • An Interview
  • “AN OCTOROON”: A DARING COMEDY ON SLAVERY, AT BERKELEY REP
  • An Interview with Robert Sharpe of BITEradio.me
  • Gluten and Dairy Free Recipe Blog
  • YouTube Channel
  • Amazon Author Page
  • How to Use Your Daily Commute to Flourish
  • "Sonnet #69" in MadHat Lit
  • "I Am a Figure of Speech," Wallace Stevens Journal, Spring 2015
  • ‘Spread Like a Veil Upon a Rock’: Septimus and the Trench Poets of World War I in English
  • "Lament for My Sister at Harvest" in Damselfly Press
  • "Woman," "Pleasant Valley," and "Laura" in the Solitary Plover
  • "Prom Night" in Work Literary Magazine
  • "To Bukowski" in The Evergreen Review
  • YouTube Video of "The First Rain of Fall" (published in Fourteen Hills, Fall 2009)
  • YouTube Video of "Sonnet #69"
  • YouTube Video of "Bird"
  • YouTube Video of "Last Night in the Castro"
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​Selection from Hive-Mind

April, 2006
         Some places take a journey to arrive at: face closed doors and silent moments when nothing can be said and you don’t find anything interesting, not even yourself. You have to get through nights when you couldn’t arrive at the resolution of a cricket call. You have to get through wondering how the hell you can remain upbeat and sustain yourself when everything around you—from the gas burning on the stove, to the dishwasher pinching your arm, to the sixtieth mixed lettuce salad—yells wake up to all these details you pass over daily. You know you miss something that you shouldn’t be missing.
         Get through and here: you arrive with the air clear after yesterday’s storm and scented with expanding greenness, plum and lilac blossom, but you cannot feel the growth as you know you should, as something that comes from inside you.
         In the early evening, we went on a hike up an old county road to a ridge top where we could see the square swaths of Sacramento Valley farms, Sierra peaks, Sacramento’s black buildings, and the webbing of Delta marshes. Everywhere was green. In a pasture near a cow- bitten fig tree: lupine and chicory flowers.
We walked to a look out point and gazed at the farm from our hillside perch. The sun just set. Peeper frogs began their chant. The song rose from the valley up to us on the ridge; each frog’s voice became a note, blurred into a rhythm that beckoned me. This place: life burst beyond any holding point.
         When we got back from the hike, down in the lower field the first group of night stars came out. I stood in the middle of the onion and chest-high fava bean field, alone. I thought of this line from a Mark Strand poem: “In a field/I am the absence of field./This is/ always the case./ Wherever I am/I am what is missing.”
         But I felt the opposite of those lines.

         I am the presence of field.

         We must continually fling ourselves out from prisons. Cast ourselves out from how we conceive of our existence; abandon the sick self. I don’t know what fears are mine anymore. I don’t know how my shape will
 rise up, a shadow behind me as I walk close to a plum blossom’s open mouth.
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Photo from Angel Ganev